The Haçienda Page 28

  RG said he was very surprised if he was playing at another club on the same night. PM said that apart from Tom Wainwright all of the New Year’s Eve DJs were also performing at other clubs on that night.

  On-U-Sound night

  This had been cancelled on Monday as only forty tickets had been sold. The only cost to the club was the flyering and this was being refunded by the promoter.

  Flesh

  No progress had been made as Paul Cons had been away. PH [Peter Hook] asked if it was felt that Cons might take the huff and maybe move the night to Home, but it was felt that as long as it was handled properly there would be no problem; and anyway it was already agreed that Haçienda owns the name.

  Extract from the minutes of a weekly management meeting held in the Round House on Friday 17 December 1993:

  Thursday nights

  It was agreed that the current Thursday was dead and that it will need to be re-launched in the new year. It was agreed that by the next meeting people would have come up with some new ideas, but there was also discussion at the time.

  RG had attended the trance night at the Airdri and reported that it seems to have been a very successful night, although most of the people there were openly smoking dope, something it was felt that could not be allowed to happen in the Haçienda.

  AM and LR had been to the trance night at Heaven and said that it was the same there as well.

  RG had been in touch with the Trance Europe Express people but they were not available until late February,which would be too late to use them to launch a new regular trance night in the New Year.

  It was noted that on Thursdays other clubs were organized by outside promoters.

  ‘Fundamental Uncertainty:

  The company is dependent on continued finance being made available and the ongoing support of its shareholders in respect of the amounts owed to it. Continuing financing is required both to enable the company to meet its liabilities as they fall due and to operate without the immediate realization of its assets. The directors believe that continuing finance will be made available and that it is therefore appropriate to prepare the accounts on a going concern basis.’

  From Ernst & Young’s ‘Fac 51 Limited Report and

  Abbreviated Accounts’ for the year ending 30 June 1993

  Clubland had moved on. It was the beginning of the era of trance and the superstar DJ. The era of Cream, Renaissance and Ministry of Sound. The Haçienda,however,had history on its side and therefore retained a powerful allure and, for about three years, operated as much like a ‘normal’ nightclub as it ever had or ever would. It ‘ticked over’.

  Our worst promotions of all were the Jolly Roger nights in 1994. They featured two DJs called Luvdup. As part of the deal they asked us to build them a pirate ship in the club;this ended up costing a fortune,plus we’d signed a contract to do six performances. It turned into the biggest loss-maker of any night in the Haçienda: about £30,000 altogether. I went mad. It was a complete balls-up. Literally about six people turned up for each show.The whole sorry saga was relayed to us each week at the Director’s meetings.

  Attendances at the club were down. Not only was the Jolly Roger night a flop, but also Transform, the Haçienda’s shot at keeping up with the trance phenomenon, attracted just 452 clubbers, few of whom had paid.

  It’s funny but, because I took so many drugs, the actual situations I found myself in were far removed from anything I would have gone near sober. I think a lot of us associated with the Haçienda were desensitized. We adapted to the strangeness; insanity just seemed like the norm. I’d spend hours in the Salford corner, holding the fire doors closed to stop people coming in for nothing. I’d be screaming, ‘Get a bouncer! Get a bouncer!’ and everyone around me would just laugh.It was surreal,hallucinatory.

  One night on our way to a party Cormac said he wanted to pop home and get his stash. When we arrived at his place he said, ‘I wonder where Albert is?’

  I sat on the settee – twatted – while he kept going on about looking for Albert.I thought that must be his mate.

  ‘That’s weird,’ he said. ‘I’ve not seen him for weeks. I really don’t know where he is.’

  Finally asked, ‘I’ve never heard of him. Who is he?’

  ‘Oh,he’s my snake.Albert’s an eight-foot boa constrictor.He’s probably down the settee.’

  I jumped up from the settee, terrified. We looked and there he was, hibernating. Like I said, strange things happened to us while we were high.

  Even stranger still, I got married that year – marking the beginning of an eighteen-month period when I literally didn’t set foot in the Haçienda. Still went to the management meetings, which, sober, weren’t any better but . . .

  Christ, what was I thinking? There I was, having the time of my life: a different girl every night;all the drugs I wanted;my own nightclub,one of the hippest places in the world. And I turned my back on it for what I thought was love.

  Listen, if you learn anything from reading this book the first thing (obviously) should be: never open a nightclub with your mates. The second thing:never marry an actress.

  Marry in haste, repent at leisure, my mum always said and bloody hell she was right.

  Things were fine at first. Of course they were; we wouldn’t have got married otherwise. But things soon changed. It wasn’t long before she found she’d had enough of clubs and drugs and gangsters, and dropped the lot. And, because I was married to her, I had to drop them too. No matter that I owned the bloody nightclub. That was it. It was either her of the Haç, and I did what I thought was the right thing at the time.

  The downside of this was that I dutifully stopped going to the club and obediently dropped all my mates. Mad nights out became a thing of the past and comedy clubs replaced nightclubs.

  The upside – at least there was one – was that I got off class As. She absolutely hated drugs and never took them. If I did, she physically stopped me. If she knew I’d taken them she’d go nuts, absolutely berserk, and it was a terrifying sight. To be honest, I was too scared not to stop.

  Of course the downside to the upside was that I swapped them for booze and together we became heavy drinkers – something that would take a heavy toll on us both.

  Tell you what, music is a doddle compared to TV. In TV they’re all arse kissers.I was all right,because everybody was terrified of me.No idea why, they were just scared of my reputation (ha ha). Being in a band, you can just tell people to fuck off all the time and get away with it; it’s expected of you. But comedians? They have to kiss some major arse or they can wave their careers goodbye. In TV comedy if you cross anyone you’re fucked and you’ll never work again. I saw up-and-coming comics say one wrong word to the wrong person and then disappear, never to be seen again.It’s an awful industry to work in:there’s no loyalty and no allegiance. It makes rock ’n’ roll look secure, I’m telling you.

  Eventually my wife and I split, and began divorce proceedings. The split seemed to drag on forever;it was really tough and this became a very,very bad time for me.There was a ruckus at Bill Wyman’s Sticky Fingers restaurant when I ran into her and her new boyfriend – the less said about that, the better. It was a setup that backfired. Another tip: if you plan to try and assault a club owner make sure he is not with one of his head doormen at the time. Turned out the photographers had been tipped off about the action to come and the trap duly sprung. But as they struck good old Leroy leathered the lot of them. I couldn’t get a punch in; I couldn’t get near anyone. They got thrown out and the manager looked after me every time I went in after that. (‘You can’t buy publicity like that – thanks!’) Wonder what Bill thought? I suppose us bass players should stick together.

  My friends rallied round me, God bless them, but when I went back to the Haçienda things had changed.Eighteen months away and everything was different. The atmosphere wasn’t like it used to be – gone was the heaving, sweating mass, hands in the air. Worse, I didn’t recognize anyone again. A whole
new crowd had moved in . . .

  The violence of Gunchester continued. In April 1995 Terry Farrimond, a doorman at the Haçienda, was shot and killed near his home in Swinton. That summer, the trend for letting guns off during drum ’n’ bass club nights reached a climax when a clubber fired a pump-action shotgun at the PSV. So many bullets were taken from the ceiling that the club flooded the next time it rained. The following month three girls were injured by ricochets, forcing the cancellation of future events.

  In June, police mounted raids on the clubs Equinox, Cheerleaders and Home, during which clubbers were searched for drugs and the music stopped. Home continued to be plagued by violence and, after a skirmish between around forty Salford gang members wearing balaclavas and police that took place on the dance floor and elsewhere in the club, owner Tom Bloxham shut up shop for good in September. For the Haçienda the news was almost as grim. Stringent security measures were off-putting for the average law-abiding clubber, yet didn’t seem to prevent the violence. Attendance figures continued to fall as the club struggled to keep up with shifting musical trends. Having missed the trance boat and voluntarily opted out of drum ’n’ bass, neither was it able to capitalize on the emergence of trip hop, a musical genre not suited to the Haçienda’s cavernous space.

  Rob, God bless him, always held out hope. He visited the Haçienda almost every night. Being an optimistic, glass-half-full type of person, he was always convinced that the next week would be the one to turn it around. He was always dreaming up some scheme for making it work.

  He found the element of risk exciting. A true gambler, he believed that you cured a losing streak by finding enough money to take another stab at it. The Haçienda was his ultimate game of chance.

  His enthusiasm was infectious. Well, I thought so, anyway. Which was why I found myself going along with a lot of what he suggested. By now, it was really just us two on the deck of this sinking ship. Tony seemed to lose interest after Factory folded;he was busy trying to get Factory Too off the ground. The other members of New Order had long since turned their backs on the club, and Alan Erasmus was being Alan Erasmus: enigmatic and difficult to pin down.

  Just me and Rob, then. It felt like the future of Manchester and the Haçienda completely rested on our shoulders.

  Casting about for ideas to help save the club, we began to think again about how it had benefited the city. Think about it: during that post-1989 period further education in Manchester was permanently over-subscribed, we were bringing so much money into the city – millions – yet seeing precious little recognition or support for what we were doing. In those days, of course, the idea of getting council or government support for a club was unheard of, whereas now they’re

  chucking money at the Manchester International Festival, for example. But back then, if you weren’t a ballet you were fucked.

  Even so, we were adamant that the club should be recognized for what it was – a vital local asset, a boost to the economy, an important tourist attraction. So we applied to the Manchester City Council for a grant to pay for renovations. Ben Kelly was brought in, this time against Tony’s wishes, submitted a design and the 100 per cent grant was finalized. And then the council changed its mind, for some reason and our £150,000 grant got cut in half. By now the deposits had been paid and materials ordered; the scaffolding had even gone up. Somehow, though, we’d made yet another mistake. Our grant, which we’d thought had gone from £150,000 to £75,000, now actually turned out to be £37,500. They weren’t giving us half the original sum – they were giving us quarter.

  Guess who had to make up the shortfall?

  As if that wasn’t bad enough,our attendance had been virtually cut in half as well. Legally we’d been getting 1600 in each Friday and Saturday (capacity having gone up since we built the basement club), on top of which we’d been sneaking in as many as we could get away with before the place groaned. That lasted until the week that the scaffolding went up.

  After that, attendance fell to below 600 and never ever picked back up, though we tried everything to claw it back. Whether people thought we were closing down, or things were changing too much – the death of acid house, perhaps? – I don’t know. We’d spend hours, weeks,at meetings,trying to figure out what had gone wrong.

  In the end it was decided that another shake-up might help. Rob was concerned that Ang had lost her edge, so brought Paul Cons back in to book the nights for us. For a while it seemed to be working – Paul got numbers up – but then we discovered that he was allowing a lot of people in for free (though they were at least buying drinks).

  Ang,meanwhile,being convinced that she’d done everything possible to combat the violence and keep the club open, was so annoyed about being sidelined by Paul that she tendered her resignation. We refused to accept it.

  Rob was most adamant: to him, Ang represented the most important link to the club’s past.She was the longest-serving member of staff and he valued her knowledge and experience; he liked the fact that he

  was able to show her a flyer for a gig and she’d know in what year it had taken place. She was a demon at the Haçienda pub quiz, Ang was. The younger employees just didn’t have that – they knew fuck all compared to her.

  ‘Don’t over-react,’ Rob said. ‘If you’re fed up, what about doing days and we’ll find somebody else to work nights?’

  So Ang took on the daytime shift but soon got bored. She needed more, so we reached a compromise: she’d work at Dry and Leroy would come back to run the Haçienda. She hated Dry, though. She didn’t love bars the way she did clubs. They’re two very different animals.

  In the meantime the renovations continued: we added coloured bricks to the exterior, plus beautiful customized stained-glass windows. The windows were about twenty-five feet high and came in twelve sections. They cost £32,000, and they were beautiful. Trouble was, they were only visible only if you climbed down the derelict canal towpath at the back of the building and looked up; you couldn’t view them from inside the club – they weren’t even lit. Also, because they were placed above the kitchen, they soon gained a disgusting coating of fat that completely obscured them. I had them removed and put into storage by Peter Burke, the guy who installed them, when the building was sold.

  When I went to the club nowadays – which was much more rarely than I did previously – I found it had changed too much. The world had moved on.

  I’d go alone there alone before, knowing there’d be loads of mates there; I’d be at home as soon as I arrived. But now I felt distanced from the punters – they were strangers. It was rare to run into someone I knew. Ang, Leroy and I would stand in our corner, look around and realize that between us we didn’t know anybody. I missed the old camaraderie. We’d lost so many mates to drug overdoses, police activity or simply burnout; a fair few had wised up and were enjoying family life; the violence scared many away, too. You can’t blame them for that – we’d have legged it too if we hadn’t owned the gaff.

  It was the same at Dry. Whereas I’d once loved the sense of community, really I now connected only with the older members of the staff, like Andy and Amanda, who had been there for years. I’d still be there seven nights a week, though. You can’t own a pub and not go, can you?

  Many of us who’d spent the late 1980s and early 1990s off our faces now came crashing down to Earth.I’d behaved like a pig in shit,lording it up at the Haç,treating it like party central.Not any more.

  Luckily I met my wife, Becky, around this time. We were introduced by a friend of mine, Francis, who ran the Brassiere Saint Pierre, and his girlfriend, Victoria. We hit it off and we’ve been together ever since.

  She’d been to the Haçienda a few times herself, but we didn’t spend much time there as a couple. On the odd occasion we did go there were so many problems it was ridiculous – there was no chance of having a good time. Also, she cottoned on pretty quickly that Rob took advantage of my good nature (or stupidity, whichever you fancy).

  Rob was at our wedd
ing party,on 5 December 1996,and once he was pissed dragged me round and round the garden, trying to persuade me to give him more cash for the Haçienda, while Becky (inside the house, watching us through the window) shouted to Ang, ‘I’ve got to get out there! I’ve got to get out there before he gives all our money away.’

  The missus was kicking off; I knew the end was near.

  The club had tried to raise money but couldn’t. The economy was still weak and property prices were low, so we still didn’t have the equity to remortgage the place.We couldn’t borrow anything and we couldn’t earn enough to pay off all the debts.

  We were at the limit of our overdraft. Not a good position to be in. I was funding the Haçienda and had been for the last two years; it was costing me seven grand a month because Rob was skint. He had tax problems, too; he’d put everything into the club. He kept moaning to me: ‘If only New Order would tour . . .’ but I was the only one who would even consider it.

  It was at around this time that my accountant asked me a loaded question: ‘What are you doing the Haçienda for, your wallet or your ego?’

  He’d hit the nail on the head. When I thought about it I realized it was my ego: I liked the power that having the club gave me. I’m sure everybody would have,even though it had never turned a profit since the day it opened. Heaven or hell, it was my own private playground.

  We just sank deeper into debt. Although there were customers who remained loyal to the club, and many more who were drawn by its reputation, the culture had shifted. People were going to bars instead of clubs. There was no admission charge and they had those late-night licences we had fought so hard for.

  Everything special about the Haçienda was in the past,buried under years of violence.

  JANUARY

  Friday 7th A Man Called Adam (attendance 600)

  Saturday 8th (attendance 797)